Episode #156 | 12.19.23

Mariah Carey: Armed Guards, Gang Burglaries, and the True Meaning of Christmas

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In this episode

Mariah Carey once lived under constant surveillance in her own home. Her husband planted cameras and recording devices around their prison-like mansion to watch her every move. He hired armed guards to follow her everywhere but the bathroom – the same armed guards who nearly shot Mariah’s collaborators when she unexpectedly dipped for a 30-minute joy ride. Despite her record-breaking five-octave pipes, Mariah Carey didn’t didn’t have a voice in her relationship for years. And when she did finally speak up to get a divorce, that’s when her husband’s stalking ended…and his sabotage on her career began.

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Sources

The Meaning of Mariah Carey by Mariah Carey with Michaela Angela Davis

Tommy Boy (Vanity Fair, 1996)

Tommy Mottola Faces The Music (New York Magazine)

‘Tis The Season for Mariah Carey to Set Yet Another Record (Vulture)

Literally Everything You Could Ever Want to Know About Mariah Carey’s ‘All I Want For Christmas is You’ (People)

Burglary at Mariah Carey’s House Confirmed by Police Report (People)

Mariah Carey’s Atlanta Home Reportedly Burglarized While She was on Vacation (Vanity Fair)

3 indicted in burglary of Mariah Carey’s home, other celebrities in Sandy Springs (11 Alive Atlanta)

Mariah Carey & More Celebs Targeted by Atlanta Gang, According to New Incident (Billboard)

Police arrest alleged gang members tied to home invasions involving celebrities across metro Atlanta (WSB-TV)

A Gang Called Drug Rich Is Robbing Celebrities All Over Atlanta (Vice)

Reports: Mariah Carey had Hysterics in Hotel (ABC)

Mariah Carey Surpasses Elvis in No.1s (ABC)

Westchester’s Most Expensive House Reduced to Ashes (New York Times)

Paranoid Mariah Feared ‘Smear Campaign’ By Ex (New York Post)

A Diva Takes A Dive (TIME)

Diva in Distress (People)

Disgraceland is a podcast about musicians getting away with murder and behaving very badly. It melds music history, true crime and transgressive fiction. Disgraceland is not journalism. Disgraceland is entertainment. Entertainment inspired by true events. However, certain scenes, characters and names are sometimes fictionalized for dramatic purposes.

 

Credits

Hosted by Jake Brennan.

Written by Victoria Wasylak.

Copy edited by James Sullivan.

Scored and mixed by Sean Cahalin.

Additional music and score elements by Ryan Spraker.

DISGRACELAND theme song, “Crenshaw Space Boogie,” written and produced by Jake Brennan. Performed by Jake Brennan, Bryce Kanzer, Jay Cannava, and Evan Kenney. Mixed and engineered by Adam Taylor.

*illustrations by Avi Spivak @avispivak